{"id":194,"date":"2018-09-26T16:58:43","date_gmt":"2018-09-26T14:58:43","guid":{"rendered":"http:\/\/coupedecale.be\/?p=194"},"modified":"2018-10-18T15:23:30","modified_gmt":"2018-10-18T13:23:30","slug":"le-mouvement-dans-limage-ii","status":"publish","type":"post","link":"https:\/\/coupedecale.be\/en\/le-mouvement-dans-limage-ii\/","title":{"rendered":"The movement in image II"},"content":{"rendered":"<p>Over the course of the evening, we will investigate the dialogue between cinema, video and choreography by exploring the common elements found in each form of \u00ab\u00a0writing of movement\u00a0\u00bb.<br \/>\nBy establishing similarities between the works, we will attempt to understand the effect to which time and space, rhythm and representation of bodies, from figuration to abstraction and immateriality can be utilised.<\/p>\n<p><strong>&#8211; Video installations<\/strong><\/p>\n<p>The bestiary and Magma &#8211; Charley Case, Ma\u00eft\u00e9 Jeannolin, Justine Fran\u00e7ois, Violaine Le Fur, Oph\u00e9lie Honor\u00e9, Victor Dumont, Jack Moyersoen.<\/p>\n<p>Intimacy &#8211; Video installation by Justine Fran\u00e7ois.<\/p>\n<p><strong>&#8211; Selection of short films<\/strong><\/p>\n<p>Le r\u00eave de Bailu &#8211; Nicolas Boone<br \/>\nSeven Days Till Sunday &#8211; Reynolds Reynolds<br \/>\nRiver Rites &#8211; Ben Russel<br \/>\nTentative \u00e0 contraindre le corps dans le cadre de l&#8217;image &#8211; Jacques Liz\u00e8ne<br \/>\nTourner &#8211; Michel Fran\u00e7ois<br \/>\nTransport &#8211; Amy Greenfield<\/p>\n<p><strong>-Performance : Fushigi<\/strong><\/p>\n<p>A\u00ef Suzuki &#8211; dance \/ improvisation and Pascal Baes &#8211; FX video accompanied by Jacques Foschia and his tube radios &#8211; sound improviser.<\/p>","protected":false},"excerpt":{"rendered":"Over the course of the evening, we will investigate the dialogue between cinema, video and choreography by exploring the common elements found in each form of \u00ab\u00a0writing of movement\u00a0\u00bb. By establishing similarities between the works, we will attempt to understand the effect to which time and space, rhythm and representation of bodies, from figuration to&#8230; <a class=\"view-article\" href=\"https:\/\/coupedecale.be\/en\/le-mouvement-dans-limage-ii\/\">View Article<\/a>","protected":false},"author":2,"featured_media":281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/posts\/194"}],"collection":[{"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/comments?post=194"}],"version-history":[{"count":5,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/posts\/194\/revisions"}],"predecessor-version":[{"id":457,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/posts\/194\/revisions\/457"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/media\/281"}],"wp:attachment":[{"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/media?parent=194"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/categories?post=194"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/coupedecale.be\/en\/wp-json\/wp\/v2\/tags?post=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}